While Hans Makart (1840–1884) was working on the composition The Victory of Light over Darkness for the Kunsthistorisches Museum [Museum of Art History], Hans Canon (1829‒1885) created the work The Circle of Life for the Natural History Museum Vienna situated opposite the art history museum. A description by the artist from April 1883 reveals the depiction’s concept: His aim was delineate the cycle of life, the ascent and decline of human culture linked to the evolution of the natural sciences. The circular movement of the people is observed by a resting sphinx as well as a contemplative figure brooding over its enigma. The finished painting did not arrive at its destination until 1888 following Canon’s untimely death in 1885.
Contributed to the Leopold Museum-Privatstiftung in 1994
Selection of Reference works
Wien 1900. Aufbruch in die Moderne, hrsg. von Hans-Peter Wipplinger, Wien 2019 (Ausst.-Kat. Leopold Museum, Wien, ab 15.03.2019).
Die nackte Wahrheit. Klimt, Schiele, Kokoschka und andere Skandale, hrsg. von Tobias G. Natter/Max Hollein, München 2005 (Ausst.-Kat. Schirn Kunsthalle, Frankfurt, 28.01.2005-24.01.2005; Leopold Museum, Wien, 31.05.2005-22.08.2005).
Franz Josef Drewes: Hans Canon (1829–1885) Werkverzeichnis und Monographie I, Hildesheim 1994.