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The Bound Columbus. Edition no. XV, 1920/21

Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Leopold Museum Vienna,
© Fondation Oskar Kokoschka/Bildrecht,
Vienna 2022
Lithograph on yellow laid paper, bound
50.4×39×1.8 cm

Artists

  • Oskar Kokoschka

    (Pöchlarn 1886–1980 Montreux)

Unfortunately not on display at the moment
Originally intended as a sequel to his 1908 youth fairytale The Dreaming Boys, Oskar Kokoschka’s (1886–1980) series of lithographs The Bound Columbus evolved into an autonomous work. First published with the title The White Animal Killer in the magazine Die Fackel, Kokoschka offered the revised and renamed version to the Berlin publisher Fritz Gurlitt (1854–1893). Along with O Eternity, Thou Word of Thunder and The Great Wall of China, this cycle of graphic works, too, is an expression of Kokoschka’s obsession with and love for Alma Mahler (1879–1964). Created in 1913, the twelve lithographs show the artist as Christopher Columbus (1451–1506), who follows the path of his lover – bearing the traits of Mahler – towards his own demise. Kokoschka revisited the theme of the seething conflict between the sexes, which he had previously addressed in his play Murderer, the Hope of Women, and incorporated personal memories of his relationship with Mahler into the composition. The illustrations have nothing to do with the historical figure of Christopher Columbus, rather, the title is an allusion to the film The Arrival of Columbus, which Mahler and Kokoschka had watched together in the summer of 1912.

AS, 2021

Object data

Artist/author
  • Oskar Kokoschka
Title
The Bound Columbus. Edition no. XV
Date
1920/21
Art movement
Expressionism
Category
Graphic work
Material​/technique
Lithograph on yellow laid paper, bound
Dimensions
50.4×39×1.8 cm
Signature
*Selbstbildnis* and *Fortuna vor dem Hafen von Posilipo bei Neapel* signed lower right: Oskar Kokoschka; *Fortuna* monogrammed on the plate: OK; 11 lithographs monogrammed: OK and monogrammed on the plate: OK
Credit line
Leopold Museum, Vienna, Inv. 6098
Inventory access
Accession 2017
Selection of Reference works
  • Wien 1900. Aufbruch in die Moderne, hrsg. von Hans-Peter Wipplinger, Wien 2019 (Ausst.-Kat. Leopold Museum, Wien, ab 15.03.2019).
  • Oskar Kokoschka. Expressionist, Migrant, Europäer, hrsg. von Cathérine Hug/Heike Eipeldauer, Heidelberg 2018 (Ausst.-Kat. Kunsthaus Zürich, 14.12.2018–10.03.2019; Leopold Museum, Wien, 06.04.2019–08.07.2019).
  • Kokoschka. Das Ich im Brennpunkt, hrsg. von Tobias G. Natter/Franz Smola, Wien 2013 (Ausst. Kat. Leopold Museum, Wien, 04.10.2013–27.01.2014).
  • Die nackte Wahrheit. Klimt, Schiele, Kokoschka und andere Skandale, hrsg. von Tobias G. Natter/Max Hollein, München 2005 (Ausst.-Kat. Schirn Kunsthalle, Frankfurt, 28.01.2005-24.01.2005; Leopold Museum, Wien, 31.05.2005-22.08.2005).
Keywords
conflictrelations between the sexesChristoph KolumbusAlma Mahler

If you have further information on this object, please contact us.

Provenance

Provenance research
Leopold Museum i

Dr. Rudolf Leopold, Wien (o.D. -2010);
Dr. Elisabeth Leopold, Wien (2010-2017); (1)
Leopold Museum-Privatstiftung, Wien (seit 2017).

  1. Archiv des Leopold Museums, Kaufvertrag vom 03.07.2017 und Rechnung Nr. 1/2017

For provenance related information, please contact us.

Search in collection

conflictrelations between the sexesChristoph KolumbusAlma Mahler