The Königsberg-born draftswoman, graphic artist and painter Käthe Kollwitz (1867–1945) used art as a possibility for social commitment and political commentary – with her depictions of marginalized people, she highlighted social inequalities, injustices and socio-political ills. The eponymous
Working Woman (with Earring), rendered in 1910 in a three-quarter portrait, looks past beholders into space with a joyless, disillusioned and hopeless expression. The high forehead, the swollen pouches under her tired eyes, and the gaunt, austere features attest to the deprivations of a life shaped by bleakness, hardships and a struggle for survival. Kollwitz sounded out the expressive means of various printing techniques with great mastery, skillfully using the contours drawn with the etching needle, which appear as if they were torn out, in order to carve out the careworn face from the darkness through condensed strokes and open areas.
MH, 2021