This rearing ibex, native to the Alps, appears aggressive and powerful but also noble. He is wearing his imposing, bent horns like a dangerous weapon mounted against an invisible opponent. In his animal depictions, the sculptor Franz Barwig the Elder (1868–1931) managed to capture the precise moment of an action, and to freeze the stances and physiognomies of the animals. The artist first presented his animal sculptures in 1906 at an exhibition of the artists’ association Hagenbund, which he had joined in 1905. His depictions, which were lauded for their dynamics, were soon in international demand.
Contributed to the Leopold Museum-Privatstiftung in 1994
Selection of Reference works
Hagenbund. Von der gemäßigten zur radikalen Moderne, hrsg. von Hans-Peter Wipplinger, Köln 2022 (Ausst.-Kat. Leopold Museum, Wien 16.09.2022 bis 06.02.2023).