With his pencil strokes that confidently cover the sheet of paper in solidifying swirls and great loops, the Austrian draftsman, graphic artist, book illustrator, set decorator and novelist Alfred Kubin (1877–1959) displays self-mockery and black humor in his 1930 work
Death (as a Woman) Comes for the Draftsman (Self-Portrait): As promised by the title, the bald draftsman, who depicts himself in a bowed posture, is holding the hand of a female skeleton with swaying hips and a swinging step, dressed in a billowing gown, with head held high and hair flying, who is leading him away to the lower left corner of the vertical drawing, as if to exit the picture. The bony left hand is coquettishly lifting the skirt to reveal the scraggy bones of the legs, turned inwards with haste, and the high-heeled shoes. The artist’s alter ego seems to be following Lady Death submissively, as in a bizarre night terror. In the background we can vaguely discern a drawing table and a room sketched with generous strokes.
MH, 2021